Art Hazelwood Bio

Art Hazelwood ArtHazelwood.com

Selected Solo Exhibitions
2006/10 Hubris Corpulentus, Plymouth State University Lamson Library, Plymouth, NH
2006/4 Hubris Corpulentus, University of Rhode Island, Library Gallery, Kingston RI
2005/9-10 Cyrano and the Four Humors – Literary Prints, Collectors Gallery, Oakland, CA
2005/4 Iraqopoly and War Prints, John Wilmer Studio, Sausalito, CA
2004/10 Hubris Corpulentus, Mitchell Place Gallery, Muncie, IN
2004/1 Hubris Corpulentus, Meridian Gallery, San Francisco, CA
2003/2 Requiem For Dionysos, San Francisco Online Arts, San Francisco, CA
2002/10 Paintings and Prints, Canton Gallery, Baltimore, MD
2001/5 Hand made Books of Prints, Collectors Gallery, Oakland Museum, Oakland, CA
2000/8 Millennial Parade, paintings and prints, Canton Gallery, Baltimore, MD
2000/7 Walking up and down in Asia, 60 woodcut prints, Fetterly Gallery, Vallejo, CA
1999/11 Two Points of View, Paintings, Coyote Gallery, Butte College, Oroville, CA, two person show
1998/2-3 Woodcuts and Linocuts, Fetterly Gallery, Vallejo, CA, two person show
1995/7 Collectors Gallery, Oakland Museum, Oakland, CA, two person show
1992/11 World City, Amerika Haus, Vienna, Austria. Presented by the USIS
1992/7 Bilder Einer Reiser, Galerie Casetta, Munich, Germany
1990/5 Landscapes of Asia and America, Gallery Hasegawa, Tokyo, Japan
1989/8 The Artist's Gallery, Santa Fe, NM
1989/7 Santa Cruz Gallery of Fine Art, CA
1985/10 41st Street Books, Seattle, WA
1984/9 Adlai E. Stevenson Library, Santa Cruz, CA

Public Art and Special Projects
2006/9 Steamroller print event, Center for the Book, San Francisco. Creating a three foot square linocut print which was printed by steamroller at a street party and then sold as a fundraiser for the Center.
2000- 2006 Guest artist creating a book of prints with text titled, Pulcinella in Hades, published at Eastside Editions, Sonoma, CA. Guest artist creating a book of prints with text titled, Journeys to the Moon and Sun. Guest artist creating a 15 foot long continuous image book of prints titled, Gargantua in the Vineyard, published at Eastside Editions, Sonoma, CA
1999 -2000 Design and execution of an outdoor acrylic paint mural, Modern Muses and the Arts, 110’ x 6’ Fetterly Gallery, Vallejo, CA
1997/12 Market Street Art in Transit, San Francisco Art Commission “Parlor Games” poster project with Seeing Eyes Design and the Coalition on Homelessness.

Selected Group Exhibitions
2007/5-7 81st Annual International Competition: Printmaking!, The Print Center, Philadelphia, PA, juror, Shelley Langdale
2007/1-2 Ink & Clay 33, Cal Poly Pomona, Kellogg University Gallery, CA
2006/11 The Art of Persuasion, The National Arts Club, NY, NY, Juror Marilyn Kushner, Presented by the New York Society of Etchers. Traveling to Paramount Center for the Arts, (4/07-6/07) Peekskill, NY, Fine Arts Gallery, Westchester Community College, Valhalla, NY
2006/8 Beyond the Likeness: Self-Portraits by California Artists, Triton Museum, Santa Clara, CA
2006/1 Janet Turner National Print Competition Exhibition, Cal State University Chico, (Merit Award)
2006/1 Back to Basics: Traditional Printmaking, Falkirk Cultural Center, San Rafael, CA
2006/1 Paper/Politics, An Exhibition of Politically & Socially engaged Printmaking, Seattle Phinney Center Gallery, 2005/4, Brooklyn, 5 + 5 Gallery, 2006/1, Portland, OR, 2006/5 Food For Thought Student Gallery, Portland State University, Josh MacPhee curator, catalog available
2006/1 Ink and Clay 32, Kellogg Art Gallery, Cal Poly Pomona, Pomona, CA
2006/2 Restating Empire, Gallery 110, Seattle, WA (Honorable Mention Award)
2005/11 Auto Show, Charles Campbell Gallery, San Francisco, CA
2005 Printmakers Invitational 2005, Claudia Chapline Gallery, Stinson Beach, CA
2005 Pressing Matters, 500 Years of Wine in Art, Hearst Gallery St. Mary’s College, Moraga, CA
2005 What is Freedom? Gallery of Social and Political Art, Boston, MA
2005 Bay Area Fine Art Printmakers, Antioch Lynn House Gallery, Antioch, CA
2005 A Creative Merger: Lawyers & Artists, Sacramento Public Law Library, State Attorney General office Sacramento Sponsored by California Lawyers for the Arts & The Sacramento County Public Law Library..
2005/4 Life, Love and Defiance, Art Hazelwood, Juan Fuentes, Calixto Robles, Ricardo “Gato” Garcia, Latin American Gallery/Back to the Picture Frame Shop, San Francisco, CA
2005/4 New Editions Books >Old >New >Digital, O’Hanlon Center for the Arts Gallery, Mill Valley, CA
2005/3 Art: The Other Voice of America, SoMarts Cultural Center, SF, CA, Linocut poster for the Exhibit designed and printed by Art Hazelwood
2004/10 Dia de Los Muertos, Fine Arts Museum of San Francisco at the Legion of Honor
2004/10-11 Uncensored Gifts, Mt. San Jacinto College Art Gallery, Hemet, CA
2004/10 War, Peace and Civil Liberties, Berkeley Art Center, Berkeley, CA
2004/9-10 Is This Our Country? Gallery of Social and Political Art, Boston, MA
2004/7-9 Printmakers of the Golden Gate, Claudia Chapline Gallery, Stinson Beach, CA
2004/6 Printmaking & Process - A Curated Exhibit, Arts Benicia, Benicia, CA
2004/6 Matter & Spirit Book Arts Exhibition and Symposium at Wells College, Aurora, NY
2004/2-4 Eye Object, Political Prints, Santa Rosa Junior College, curated by Suzanne Lacke.
2003/10 Open Wide- 500 Years of Dentistry in Art, SUNY Buffalo New York, collection of Mort Rivo.
2003/9 Anti-Chromatic: The Art of Black and White, Dorothy Herger Gallery, Solano College, CA
2003/6-7 New Prints 2003/Summer, International Print Center New York, New York, NY
2003/3 Innovations in Contemporary Printmaking, Thacher Gallery, University of San Francisco.
2002/11 - 2/03 Built By Hand: The Book As Art An International Juried Book Exhibition, Eleven Eleven Sculpture Space, Washington, DC. Jurors: Mark Dimunation, Neal Turtell
2002/5-7 New Prints 2002/Summer, International Print Center New York, jurors: Robert Storr, senior curator MOMA, Terry Winters, Susan Lorence, John Morning, Marc Schwartz, Pari Stave.
2002/3-4 Literary Pleasures, Fetterly Gallery, Vallejo, CA
2001/10-12 The Spirit of Handmade Prints, Calif Society of Printmakers Triton Museum, Santa Clara, CA
2001/3-4 Canton Gallery’s 5th Anniversary Exhibit, Canton Gallery, Baltimore, MD
2000/12 9 Lives, Somarts Cultural Center, San Francisco, CA
1999/11-12 California Prints From Wood IV, Collectors Gallery, Oakland, CA curated by Art Hazelwood
1999/11-12 Fifth Anniversary Invitational Exhibit, Fetterly Gallery, Vallejo, CA, Linocut poster for the Fifth Year Anniversary Exhibit designed and printed by Art Hazelwood
1999/10 The View From Here - 10 Years of Art from the Street Sheet, 509 Cultural Center, San Francisco, CA
1999/9 Street Sheet Ten Year Anniversary, Art Show and Auction, SOMARTS Gallery, San Francisco, CA. Linocut poster for the Ten Year Anniversary designed and printed by Art Hazelwood
1999/9-10 Political Art and Propaganda, Pajaro Valley Arts Council, Watsonville, CA
1999/6 On the Edge of the Century: Printmaking and Social Commentary in the 1990s, Berkeley Art Center, juror Rene Yanez, catalogue
1999/4 Premio Internazionale 1999 Biella Per l’incisione, Biella, Bologna, Turin and Mondovi, Italy.
1999/3-5 73rd Annual International Competition, The Print Center, Philadelphia, PA juror Jan Howard, curator of prints and drawings Baltimore Museum of Art
1999/2 -6 Faultlines/Watermarks: California/Amsterdam, Calif. Society of Printmakers and Amsterdams Grafisch Atelier. Amsterdam, Heemstede, San Francisco, Vallejo, CA, juror, Karin Breuer, curator Achenbach Collection.
1998/11 The Third Annual California Artists’ Prints From Wood, Collectors Gallery, Oakland, CA
Co-Curator Art Hazelwood and Roy Ragle
1998 Gallery Artists, Janer Gallery 81, New York, NY
1998/7 Tradition and Transition in the 90’s, SOMAR Gallery, San Francisco. Designed woodcut show poster.
1998/6 Printwork ’98, Barrett House Galleries, Pouhkeepsie, NY juror, Starr Figura, MOMA
1998-2000 Common Ground, American Print Alliance, traveling exhibit, Juror, Jennifer Saville, curator of Western Art, Honolulu Academy of Arts.
1998/3 Points of Passing, Artists of the Street Sheet, Southern Exposure Gallery, San Francisco, CA
1998/3 California Society of Printmakers 85th Exhibition, Academy of Art College Gallery, San Francisco, CA
1997/12 The Second Annual California Artists From Wood, Collectors Gallery, Oakland, CA
1997/11 Pyramid Atlantic Book Arts Fair 1997, Corcoran Gallery of Art, Washington, DC
1997/1 California Artists From Wood, Collectors Gallery, Oakland, CA
1996/5-6 Pacific Prints '96, Pacific Art League of Palo Alto, CA
1995/12 International Triennial Woodcut & Wood Engraving, State Gallery Banska Bystrica, Slovakia
1995/5 1st Wexford Artists' Book Exhibition, Wexford, Ireland
1994/9 California Society of Printmakers Membership Exhibition, Triton Museum Santa Clara, CAExhibition: Jurying
2004/6 Artist As Activist, Sebastopol Art Center, Sebastopol, CA

Exhibition: Selected Curating
2005/8-9 Self Examination: To the River Styx, Woodcuts and Monoprints by Roy Ragle, Collectors Gallery at the Oakland Museum CA,
2005/1-2 As They Saw It- Richard Correll and Frank Rowe Six Decades of Their Art of Social Conscience, Meridian Gallery, San Francisco, CA
2003/9 Daniel Robeski - Life and Work, Fetterly Gallery, Vallejo, CA. With essay on Robeski by Art Hazelwood.
2003/9 An American in Tokyo - Patricia C. Brandes and the Sosaku Hanga Movement, SF Online Arts San Francisco, CA. Organized with Larry Warnock. With essay on the exhibit by Art Hazelwood.
2002/3-4 Masquerade and Revelation A William Wolff Retrospective, Hearst Art Gallery, St. Mary’s College, Moraga, CA. Catalog with essay by Art Hazelwood. Co-curated with Julie Armistead
2000/1-3 Crossing the River Styx, Woodcuts and Monoprints by Roy Ragle, Fetterly Gallery, Vallejo CA, brochure with essay by Karin Breuer, curator of the Achenbach Collection, San Francisco, CA
1999/1-3 Write Those Things Which Thou Hast Seen, woodcuts, etchings and paintings by William Wolff, Fetterly Gallery, Vallejo, CA, catalogue with essay by Art Hazelwood

Public Presentations/ Teaching
2006/6 Etching class taught with David Avery, Sonoma Community Center/Eastside Editions, Sonoma, CA
2006/4 Political Art Timely and Timeless, Univeristy of Rhode Island Kingston Library, Panel with Galen Johnson, Professor of Philosophy. David Beronä, Director, Lamson Library, Plymouth State University Art Hazelwood, artist. Wendy Roworth, Professor of Art. Bill van Siclen, Art Critic/Reviewer Providence Journal
2005/3 Art: The Other Voice of America, panel discussion with Doug Minkler, Jos Sances, Roberta Loach, Ariel, moderated by DeWitt Cheng titled Political Art Now.
2004/10 Visiting Artist Ball State University, Muncie Indiana, class presentations and public lecture Up From Nihilism: Engagement and Community.
2004/6 The Artists’ Role in a Time of War, Panel moderator Art Hazelwood, panel: Eleanor Dickinson, Doug Minkler, Barbara Milman, Jann Nunn, Sebastopol Center for the Arts
2004/3 Graphic Council, artist’s talk and presentation of prints, Fresno Art Museum.
2004/3 The Digital Revolution: Its Impact on Printmaking, Panel Moderator: Joan Finton, Panel: Art Hazelwood, Robin McCloskey, Janet Jones, Larry Warnock, Barbara Foster & Richard Lang.
2004/2 Functions & Uses of Political Art Now, Panel Moderator: Peter Selz, Panel: Art Hazelwood, Jos Sances & DeWitt Cheng.

Collections
• Library of Congress, Washington, DC, New York Public Library Print Collection, New York, NY – The RSDI Museum, Providence, RI – Stanford Library Special Collections, Stanford, CA - Achenbach Collection, Fine Arts Museums of San Francisco, CA - Arts of the Book Collection, Yale University Library – St. Mary’s College, Hearst Gallery, Moraga, CA – Fresno Museum of Art, Fresno, CA – Glenbow Museum, Calgary, Canada – Center for the Study of Political Graphics, Los Angeles – Princeton University Graphic Arts Library – Whitney Museum of American Art Library, New York – MOMA Library, New York – Arts of the Book Collection, Yale University Library – Austrian National Bank, Vienna – Polaroid G.M.B.H., Vienna, Austria – Ronald Post, U.S. Cultural Attaché to Austria – Frost Library, Amherst College, Amherst, MA – Indiana University Library, Bloomington, Indiana – Warren Wilson College Library, Asheville, NC – Newport Beach Public Library, Newport Beach, CA – Topeka & Shawnee Co. Public Library, Topeka, KS – Wexford Arts Centre, Wexford, Ireland – Bancroft Library, UC Berkeley, Berkeley CA – Lillie M. Kleven Print Collection, Bemidji State University, MN

Selected Publications
2006 CSP News Brief, Winter 2006, page 4, Art Hazelwood, A Graphic Witness of America, by David Berona, shortened from an earlier article, California Society of Printmakers, San Francisco, CA
2006/8-9 Art New England, “spotlight review” by Doug Norris of Hubris Corpulentus at URI. http://www.artnewengland.com/issues/Aug_Sept_2006/spotlight_reviews_rhode_island.html
2006/4 South County Independent – North East Independent, April 27, 2006, Examining the Art of Making War, Doug Norris, Arts & Living Editor, page C1, Review of two shows including Hubris Corpulentus at URI
2006/4 The Good 5¢ Cigar. University of Rhode Island Student Newspaper, Artists use work to portray political messages, Jennifer Scungio, review of Hubris Corpulentus exhibition and panel discussion. Page 1 & 2, April 7, 2006, vol. 50, issue 38
2006/4 Providence Phoenix, March 31, short review in 8 Days a Week, Jim Macnie, page 3, RI
2005/8 Art Hazelwood: A Graphic Witness of America, article by David A. Beronä, Image and Narrative Online Magazine of the Visual Narrative, issue 12, at www.imageandnarrative.be
2005 “Iraqopoly” and War Prints on Caledonia, show review by Jonah Owen Lamb, Marinscope, vol. 35, no. 18, page 2, Sausalito, CA
2004 - 2007 Street Spirit, Artwork used in several issues.
1994 -2006 Street Sheet, ongoing and regular contributions of artwork in more than 35 issues.
2004 Prints & Politics: Printmaking in a Time of War, by DeWitt Cheng, Contemporary Impressions The Journal of the American Print Alliance, Vo. 12 no. 2 Fall 2004, page 11 – 15, Four printmakers profiled, Art Hazelwood, Jos Sances, Roberta Loach & Doug Minkler
2004/10 Indiana Public Radio, 10/7/04 interview with Art Hazelwood on Indiana Arts Desk http://www.bsu.edu/ipr/artsdesk/archive.asp
2004/10 All Access, Muncie, IN, Artist Reveals Pride, Hubris of U.S., review of exhibition Hubris Corpulentus, October 14 - 20, 2004
2004/Spring Zyzzyva, XX. 1, Spring 2004, Three images from Hubris Corpulentus print series.
2004/3 CSP News Brief, June 2004, review of exhibit Hubris Corpulentus by DeWitt Cheng
2004/3 SFGate.com on line review of exhibit Hubris Corpulentus by Alison Bing
2004/3 Street Spirit, March 2004, review of exhibit Hubris Corpulentus by DeWitt Cheng
2004 Journal of the Print World, Vol. 27 No. 1, Meredith NH, Hubris Corpulentus Prints By Art Hazelwood.
2003 Journal of the Print World, Vol. 26 No. 3 Summer Meredith NH, Gargantua and the Book. essay on the creation of Gargantua in the Vineyards by the artist..
2003/3 The San Francisco Weekly, “Worth a Thousand Words” Karen Zuercher, show review
2002/1 The California Printmaker, no. 1, pg. 35-38 San Francisco, CA Gargantua and the Book. essay on the creation of Gargantua in the Vineyards by the artist.
2002/2/1 Vallejo Times Herald, by Richard Freedman.
2001/ 1 The California Printmaker, Art That Can Change the World, essay on three political artists by Barbara Milman, Emeryville, CA
2000/7 Artweek, Preview of Show at Fetterly Gallery, Berin Golonu, 2000 Vol. 31 issue 7/8, San Jose
1999 Chico News and Review, November, Chico, CA, Eyes Have It, review of exhibition
1999 Santa Cruz Sentinel, Friday Sept., 10 1999, cover article of Spotlight section, The Art of Propaganda, Julia Chiapella
1999 San Francisco Examiner, Sunday Sept. 12, 1999 page B-15 Review of Street Sheet show, Stephanie Salter
1999 Journal of the Print World, Vol. 22 No. 2 Spring, Meredith New Hampshire, Review of 73rd Annual International Competition, The Print Center, Philadelphia, PA.
1998 The California Printmaker, no. 1, pg. 10-11 Emeryville, CA StreetPrints, article on printmaking and homelessness advocacy
1996/4 Literal Latte, vol. 2, no., 5, cover, watercolor painting, New York
1996 International Triennial Woodcut...catalog, Banska Bystrica, Slovakia
1995/7 Literal Latte, July/August, cover, drawing, New York
1995/6 McClain's catalog, Summer, 1995, woodcut, Portland, OR
1995/7 Small Press Magazine, Summer, cover oil painting and woodcuts, Wakefield, RI
1995/3 Umbrella, vol. 18 nos. 1,2 pg. 27, review of Forest Song, Pasadena
1995/2 Forest Song, book of woodcut prints, Epigone Press, San Francisco
1995/1 Small Press Magazine, Winter, 1995, review of "Promenade", Wakefield, RI
1994/12 Michael's Cut, novel by Robert Magill, Cover & 5 woodcut prints, Northwest Publishing, Salt Lake City
1994/5-6 The Print Collector's Newsletter, Vol., XXV No. 2 Pg.74 Review of Promenade, New York
1994/6 Umbrella, Vol,17 No.2 Pg. 55, Review of Promenade, Pasadena
1994/6 Literal Latte`, Vol,1 No.1 Pg.9 two woodcuts, New York
1994/5 Promenade- A Voyeur's Guide To America, book of woodcut prints, Epigone Press, San Francisco
1994/3 Promenade-A Voyeur's Guide To America, limited edition, Center For Creative Work, San Francisco
1991 Limited Edition (50) book of woodcut prints, Forest Song, Epigone Press, San Francisco
1990 Crab Creek Review, cover and 4 prints inside, Spring 1990, Seattle
1989 New Mexico Humanities Review, Spring 1989, Socorro, NM
1989 Limited Edition (25) book of woodcut prints, Drifting and Dreaming and Creating the World, Epigone Press, San Francisco
1989 Limited Edition (50) book of woodcut prints, Promenade- A Voyeur's Guide To America, Epigone Press, Santa Fe
Misc. Art Related Experience
2006 Organized screen print poster campaign with the Western Regional Advocacy Project to advocate for the rights of homeless people. Bringing together artists and activists to create works of political impact.
2001-2006 Printer at Eastside Editions, fine art print studio, Sonoma California.
1994- 2003 California Society of Printmakers Newsletter editor – ’97-’03, Exhibitions coordinator – ’97-‘99, Secretary – ’94-’98.
1994-'96 Exhibition committee, Center for Visual Arts, Oakland, CA
1989 Stage design for an adaptation of David Lee's poetry at UNM Albuquerque
1989 Vice President, The Artists' Gallery, Santa Fe, New Mexico.
1983 Art instructor, El Camino Pines Camp, Frazier Park, CA.

Professional Affiliations
∑ Artist Member, California Society of Printmakers 1994 - present
∑ Artist Member, Print Club of Albany, NY 1994 - present

Education
1983 BA degree in Fine Arts, University of California at Santa Cruz